Life of extraterrestrial origin is out there. This is the word from NASA. (Yes, really.) The agency has predicted that we’ll see “indications” of life outside of Earth within 10 years….and have evidence of it by 2045.
We suspect that this announcement is a much bigger deal than NASA is letting on. It feels like we are being prepared for something, doesn’t it? Although NASA is referring to microbial life (not big-headed little creatures with huge eyes and spindly limbs), consider the fact that this is not the first time NASA has made this claim. Also consider the fact that when it comes to the question ‘Are we alone?’ the U.S. government tends to flip out — making blanket denials and sputtering contradictory nonsense like a Lothario caught in the act. The way we see it, for a government agency to state not once, but twice, that we should expect to meet life from outside this planet within a specific time frame….that’s HUGE. Bottom line: NASA is most likely already aware of the existence of life originating outside of Earth (microbial or otherwise).
But time, as they say, will tell.
PS — Did you know there are Ocean Worlds all over our solar system?
Original, quirky, unexpected, legit-interesting and wickedly funny with a solid story backbone. The antithesis of hack. Brilliantly cast. And it has a KILLER theme song: Jevetta Steele’s “Calling You.” Without falling into stereotype, Bagdad Cafe takes angry black woman Brenda (the incomparable CCH Pounder) on a life-changing journey thanks to the lonely German tourist Jasmin (Marianne Sägebrecht), who sets out to transform her own life when she falls into Brenda’s dusty little cafe.
Also on this ride are Brenda’s introverted musical prodigy son Salamo (real-life tenor Darron Flagg, who played the music in the film); her free-spirited, biker-loving daughter Phyllis (a budding Monica Calhoun); the family’s spiritually expansive, ex-Hollywood set decorator friend (Jack Palance!); and Brenda’s estranged husband, Sal (G. Smokey Campbell) — who narrates from afar.
And all this kookiness works beautifully because Bagdad Cafe is an honest story about the kind of growth we hope for as human beings.
Is it surprising that this is a foreign film?
British fashion house The Unseen has joined fashion and science for reals. The Unseen is three women, Lauren Bowker, Chista Leask and Jess Smith, who create exquisite wearable science using both cutting-edge technology and incredible tailoring. In fact, Bowker (The Unseen’s founder), studied both fashion and chemistry. Originally, she started down this path to help herself: she has a spinal condition and wanted to create materials that would signal a shift in her condition.
Nowadays, The Unseen cooks up heat-sensitive inks and hyper-conductive stones to come up with truly custom palettes that change color based on heat (including heat generated by brain activity), friction (!!!) and humidity. (So, yes, even the crazy-territorial fashionistas among us can be SURE no one will have on the same outfit….even if it is the same outfit.) This is what we call future-forward —- and the Unseen’s stunning, otherworldly silhouettes only make us love it more. (Oh, and BTW, they make non-clothing items too.)
Don’t ever let anyone tell you that science and smart are not sexy.
Our TBT is dedicated to “Strange Days” (1995), the “sexy kinetic thriller” and feminist gem which was directed by Kathryn Bigelow and co-written by two dudes, James Cameron and Jay Cocks (insert joke here). The film portrays a perilous time when violence and lawlessness were rampant and technology was used to satisfy society’s desperate quest for escapism and most base urges. Sound familiar?
As leading lady Mace, Angela Bassett is a thing of wonder and beauty. She’s gorgeous, strong, smart, sexy and self-possessed.
A raw, pre-Licks Juliette Lewis is Faith, the dysfunctional flipside of Mace: a tragically beautiful hot mess. Both women are doing their best to navigate what many thought would be the ‘end of days’ — New Year’s Eve 1999.
And of course, Ralph Fiennes is….damned fine (even as an oily virtual reality dealer). There are also plenty of hot character performances by thespians who later became well-known faces: Vincent D’Onofrio (where Brooklyn at?); Tom Sizemore, Glenn Plummer (in a brilliant and timely turn as militant rapper Jeriko One), William Fichtner, Josef Summer, Richard Edson and Canadian Michael Wincott.
There’s a lot going on here. Social turmoil, police brutality, technology, the economy, race, America’s general agitation on the eve of the new millennium. This dystopian thriller is smarter and more interesting story than a lot of what we see lately. First off, it’s set in an Los Angeles that actually looks like L.A.: multi-cultural and multi-racial….throughout the film, not just the scenes of poverty or violence. The fact that there is a militant rapper whose gripes with the system are presented as legit seems astounding in retrospect. (The film was released only 17 days after the verdict in O.J. Simpson’s trial.) Last but not least, this film represents the best of feminism — that which shows women as they really are: are equally capable of the best and worst of what it is to be human.
Some of you may be wondering: What ever happened to that sci-fi short film? Well, I’m here to tell you that Roxë15 is, indeed, alive and well.
Ohio-based editor Chris Croft and I have been working hard for the past several weeks….and (thank God!) the light at the end of the tunnel is getting closer and closer. I have had the great pleasure of editing sound effects (call me geeky or whatever, but I happen to LOVE editing audio). Anyhoo, the final pieces are coming into place. It has taken a while but as they say, good things come to those who wait — so stay tuned.
Also, I’m extremely excited and honored to announce that the feature-length screenplay of Roxë15 was recently selected to be a part of cultivEight, a national film development program sponsored by NEA Art Works! cultivEight is produced by PushPush Film and Theater in Atlanta, in partnership with BrandCinema in NYC and producer Alexander A. Motlagh. It’s an innovative, hands-on, filmmaker-centered incubator that develops out-of-the-box film projects over 8 months. The object is to thoroughly and thoughtfully develop projects, connect filmmakers with producers and get projects into (what?) PRODUCTION!
Feeling extremely thankful/grateful that both the long and short of Roxë15 are moving in the right direction…..ever forward!