British fashion house The Unseen has joined fashion and science for reals. The Unseen is three women, Lauren Bowker, Chista Leask and Jess Smith, who create exquisite wearable science using both cutting-edge technology and incredible tailoring. In fact, Bowker (The Unseen’s founder), studied both fashion and chemistry. Originally, she started down this path to help herself: she has a spinal condition and wanted to create materials that would signal a shift in her condition.
Nowadays, The Unseen cooks up heat-sensitive inks and hyper-conductive stones to come up with truly custom palettes that change color based on heat (including heat generated by brain activity), friction (!!!) and humidity. (So, yes, even the crazy-territorial fashionistas among us can be SURE no one will have on the same outfit….even if it is the same outfit.) This is what we call future-forward —- and the Unseen’s stunning, otherworldly silhouettes only make us love it more. (Oh, and BTW, they make non-clothing items too.)
Don’t ever let anyone tell you that science and smart are not sexy.
Our TBT is dedicated to “Strange Days” (1995), the “sexy kinetic thriller” and feminist gem which was directed by Kathryn Bigelow and co-written by two dudes, James Cameron and Jay Cocks (insert joke here). The film portrays a perilous time when violence and lawlessness were rampant and technology was used to satisfy society’s desperate quest for escapism and most base urges. Sound familiar?
As leading lady Mace, Angela Bassett is a thing of wonder and beauty. She’s gorgeous, strong, smart, sexy and self-possessed.
A raw, pre-Licks Juliette Lewis is Faith, the dysfunctional flipside of Mace: a tragically beautiful hot mess. Both women are doing their best to navigate what many thought would be the ‘end of days’ — New Year’s Eve 1999.
And of course, Ralph Fiennes is….damned fine (even as an oily virtual reality dealer). There are also plenty of hot character performances by thespians who later became well-known faces: Vincent D’Onofrio (where Brooklyn at?); Tom Sizemore, Glenn Plummer (in a brilliant and timely turn as militant rapper Jeriko One), William Fichtner, Josef Summer, Richard Edson and Canadian Michael Wincott.
There’s a lot going on here. Social turmoil, police brutality, technology, the economy, race, America’s general agitation on the eve of the new millennium. This dystopian thriller is smarter and more interesting story than a lot of what we see lately. First off, it’s set in an Los Angeles that actually looks like L.A.: multi-cultural and multi-racial….throughout the film, not just the scenes of poverty or violence. The fact that there is a militant rapper whose gripes with the system are presented as legit seems astounding in retrospect. (The film was released only 17 days after the verdict in O.J. Simpson’s trial.) Last but not least, this film represents the best of feminism — that which shows women as they really are: are equally capable of the best and worst of what it is to be human.
Some of you may be wondering: What ever happened to that sci-fi short film? Well, I’m here to tell you that Roxë15 is, indeed, alive and well.
Ohio-based editor Chris Croft and I have been working hard for the past several weeks….and (thank God!) the light at the end of the tunnel is getting closer and closer. I have had the great pleasure of editing sound effects (call me geeky or whatever, but I happen to LOVE editing audio). Anyhoo, the final pieces are coming into place. It has taken a while but as they say, good things come to those who wait — so stay tuned.
Also, I’m extremely excited and honored to announce that the feature-length screenplay of Roxë15 was recently selected to be a part of cultivEight, a national film development program sponsored by NEA Art Works! cultivEight is produced by PushPush Film and Theater in Atlanta, in partnership with BrandCinema in NYC and producer Alexander A. Motlagh. It’s an innovative, hands-on, filmmaker-centered incubator that develops out-of-the-box film projects over 8 months. The object is to thoroughly and thoughtfully develop projects, connect filmmakers with producers and get projects into (what?) PRODUCTION!
Feeling extremely thankful/grateful that both the long and short of Roxë15 are moving in the right direction…..ever forward!
So you thought Saturn was big? Well, it is…but heavenly body J1407b is even bigger than our darling Saturn and it’s surrounded by 37 rings that are 200 times the size of Saturn’s rings. Sit with that for a second.
Galileo discovered Saturn in 1610; that’s old news. Now a joint team of American and Dutch astronomers has published definitive findings on J1407b, which was first peeped in 2012. J1407b is a brown dwarf (i.e., not quite in Magnum territory): it’s smaller than a star, but bigger than a planet. And if you’re in a traveling mood, it’s also only (!) 434 light years away, in the constellation Centaurus. (BTW, this is our first discovery of rings outside of our solar system.) Astronomers speculate that J1407b’s massive, 90-million-kilometer-wide bracelets were carved out by orbiting moons.
A little context: according to Dutch astronomer, Matthew Kenworthy of Team J1407b, “If we could replace Saturn’s rings with the rings around J1407b, they would be easily visible at night and be many times larger than the full moon.”
Apple has just brought us one step closer to sci-fi reality. Business Insider reports that the tech innovator has been granted a patent for “three dimensional user interface session control” — translation: a technology that will enable users to operate their computers (and devices?) using hand gestures in the air. You know….like in the film “Minority Report.” According to BI, the technology already exists, but kind of sucks as is. So now Apple is in prime position to work their magic and make it so. Take a look.
(Shout out to director of photography Jendra Jarnagin for the 411.)
From May to November of this year, European Space Agency astronaut Alexander Gerst was on the International Space Station. While hanging out in the stratosphere, he took thousands of snaps of Planet Earth with ultra-high-def cameras….and when he got back, he did what most techies eventually do: he made a video. But Gerst’s video is not your everyday mash-up — he edited 12,500 images of what the cameras saw from space into a stunning (and we mean stunning!) timelapse video. And he gave it a dope soundtrack.
This is Earth as extraterrestrials might see it.
SIDE NOTE: from 3:11 to 3:31, there is footage of space that is MIND. BLOWING. To say that it puts everything happening down here in perspective is an understatement.
Artificial intelligence has just evolved in a huge way. The NY Times reports that scientists at Google and at
If you don’t do anything else the rest of the day, read this little ditty:
Here’s Why Female-Driven Films Are Important Right Now
by filmmaker Alexis O. Korycinski
Indeed….what she said (so well). For now, let’s just stick with business. I suspect that, as with much cultural progress facing futile resistance these days, the money will win out in the end. Women spend a lot of money going to the movies; neglecting that audience/market segment is simply idiotic. And I, for one, am not an idiot. That is all.
Swiss surrealist artist H.R. Giger was a king of erotomechancis. This man’s mind….wow.
He created the iconic alien of the ‘Alien’ film franchise, created murals for the Alien prequel ‘Prometheus,’ among other very cool work in films and music (including album artwork for many and even a custom microphone stand for Jonathon Davis of the band Korn). His vision of biomechanics made the relationship between (wo)man and machine incredibly sexy, dripping with the promise of inhuman pleasure. In a 1979 interview, Giger said: “My paintings seem to make the strongest impression on people who are, well, who are crazy. If they like my work they are creative … or they are crazy.” Count me in.
Enjoy the next leg of your adventure, Mr. Giger.